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Entries categorized as ‘Craft’

Coralie Bickford-Smith: Book Cover Design UPDATE

October 30, 2009 · Leave a Comment

Penguin Classics

Photo courtesy of Design*Sponge

A few months ago, I posted an excerpt from a story about Coralie Bickford-Smith – the designer responsible for many wonderful book covers at Penguin Classics.

Well, just today, Design*Sponge (if you don’t know this site, you should!!) posted a more extended interview with Ms. Bickford-Smith.  So, I thought I would share it with you here.  Click on the link below to see the full post in its natural habitat…

An brief excerpt from the Design*Sponge interview:

…That’s the nature of cover design really – the designs are there to serve the writing, and there’s such a range of material that we design for that a personal style isn’t necessarily what you want the customer to see.

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Categories: Art · Book Design · Craft · Design
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Letterpress Printing: History and Process

August 20, 2009 · Leave a Comment

Letterpress printer

For printed works communicating some of life’s most meaningful events, it is the letterpress process that seems to best express the importance of these announcements.  From business cards, to wedding invitations, to birth announcements – the letterpress yields lovely works of everyday art.

LETTERPRESS | HISTORY

Historically, letterpress was the process by which everything from church documents to newspapers were printed en masse.

In the 15th Century, it was the German Johannes Gutenburg who invented moveable type and the printing press.  Individual letters were carved out of blocks of wood and organized into rows of coherent text.  These ‘plates’ were then pressed into sheets of paper, printing a individual page.  After the necessary copies of the page were printed, the letters were rearranged for subsequent pages and the process was repeated.

In 1812, Friedrich Koenig invented the cylindrical press which sped up the printing process considerably.  Over time, the printing equipment has become more and more efficient, enabling the continued use of the the letterpress technique today.

Still, if you have ever priced a letterpress print project versus the widely-used digital process, you will note that the former is more expensive to produce.  This is because the technique in use remains much the same as it was in the 1400s.

Individual lettering and imagery must be hand-arranged, inked, and pressed to deliver the final product.  In spite of the cost, however, there can be little debate about the exceptional quality of a letterpress-printed piece.

LETTERPRESS | QUALITIES

What is it that makes these works so beautiful?

Often, it is the textured hand of the paper used for the print.  Though a variety of papers can be used for letterpress, may of the pieces produced are of substantial weight and utilize a paper with a more fibrous texture.  In addition, the letterpress, in most cases, leaves an impression on the reverse side of the piece adding yet another layer of tactile interest.

Further, the lack of coating on the paper means that the colors on the final product are less saturated and thus have an artisanal quality to them.  If the design of the piece does not require an absolute ‘pop’ of color, this can be a wonderfully rich effect.

Today, the beauty of the letterpress-printed piece remains quite appropriate for any project in which a sense of timelessness and attention to detail are important.

LETTERPRESS | EYE CANDY

The projects below are wonderful examples of the various effects one can accomplish with the letterpress technique.  Their beauty speaks volumes:

Jubilee Round by Elum

Circolo by Bella Figura

Irving by Bella Figura

Airplane by Bella Figura

Dewdrop by Bella Figura

PRINTING RESOURCES:

MORE HISTORY:

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Categories: Craft · Printing
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Danish Delight: Fritz Hansen

August 12, 2009 · Leave a Comment

Fritz Hansen Classics

Photo by Dwell

Quite possibly one of the most elegantly simple designs ever unleashed upon us:  The Fritz Hansen 3107 Chair.

Dwell Magazine takes a look at the making of these iconic gems.  A teaser:

The most famous photo of Arne Jacobsen’s 3107 chair isn’t even of a real 3107. The iconic image, taken by Lewis Morley in 1963, depicts British knockout Christine Keeler naked astride a knockoff. The provocative pic propelled the molded-plywood chair to international fame, and sales—which had inched forward at a snail’s pace after the chair’s 1955 release—skyrocketed. Today, the company has sold nearly seven million Series 7 chairs, including the 3107, the dining-height model, making it Danish furniture manufacturer Fritz Hansen’s best-selling family of seats…

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Categories: Craft · Design
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Penguin Books: Designer Interview

July 6, 2009 · 1 Comment

Designed by Coralie Bickford-Smith

A quick post about book design:  What a challenge to have to catch a consumer’s eye with the spine of a book on a shelf or a small cover…

The intro from an interview with Coralie Bickford-Smith of Penguin Books (UK) at Design Related:

Coralie is an award winning book cover designer and has created several acclaimed series designs forPenguin Books. Art director Jim Stoddart first spotted her latent talent six years ago in the page layouts for a supermarket pet club magazine. At which point Coralie breathed a huge sigh of relief, as on the whole she prefers designing book covers. Recently she has been working on projects with students at London College of Communication, passing on the principle that underpins her own work: ’stop designing, start playing’.

**Shoutout to @DesignObserver on Twitter for the heads up – if you don’t follow them, you should!**


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Categories: Art · Book Design · Craft · Design
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Marian Bantjes: Way Good.

May 8, 2009 · Leave a Comment

Marian Bantjes - Way Good

Marian Bantjes is way good.  I don’t remember how I found her website.  I don’t remember what I was looking for.  All I know is that when I saw what she does, I realized that she has an amazing artistic talent – exquisite in it’s execution.  Her work is intricate.  It’s creative.  There’s an essence of  ‘quirk’ (I mean, really…cake?). 

But, what I most appreciate is that she is willing to explore her already-pretty-darn-good-at-it craft, continuing to grow and enjoying the process:

I do not know if I am lazy or driven. A little of both. While I tend to work every day, from morning to night (I’m frequently working past midnight), my days are relatively stress free. In the summer I tend to take a lot of breaks and sit in the sun or go for a walk. I spend a lot of time thinking. Just staring into space and thinking. Does this count as work? Sometimes. When I wake up in the morning with the perfect solution to a given problem, have I been working while I was sleeping? Perhaps. - (An excerpt from Ms. Bantjes’ About Me reflections)

I love that.  To paraphrase Jack Nicholson’s character in that movie, Ms. Bantjes makes me wanna be a better designer/writer/whatever I’m calling myself on a given day.   Yes, Marian Bantjes is way good.  And in a good way.

Have a look!

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Categories: Art · Craft · Design
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